Keith Loutit, a photographer based in sydney, demonstrates how a camera, a tilt-shift, and time can be conjured into an irresistable video.
(click the link for HD)
For those of you who haven’t heard of the oddity that is tilt-shifting I can describe it as a lens technology that defocuses in a linear gradient. In other words the lens is sharpest at a centeral line and loses sharpness in both directions away from the line. The tilt-shift lens was originally made to compensate for the warping that occurs when photographing building from up-close. However, some of you may have noticed from the video that, if used correctly, the technique gives the impression that you’re looking at a miniature. This is exactly what makes tilt-shifting so mesmerizing when applied to moving things like people or boats that you know are supposed to look big. Don’t pull that wallet out yet though because a tilt-shift lens will cost you a small fortune (if you’re a poor college student like me, that is).
For more about the artist: Kieth Loutit Photoblog
This particular set of photos has gotten a lot of time on the sports cover of the DP for some strange reason. Coincidentally the set happens to be from my first football assignment as a rookie photographer. Shooting football at first was very difficult. First of all the field is enormous and the equipment required for such a field is also enormous. I had to lug around a Nikon D2h, a 70-200mm, and a 300mm behemoth with an attached monopod and lets just say that…you need to stretch before starting an assignment like this. Secondly, I found that everyone gets in your way. No really, everyone! The refs, players, coaches, other photographers, field staff, and even random people on the sidelines all play a part in blissfully blocking your view and chance at a good photograph.
A good way to get around these problems is to stay in certain zones and move around within them by following the line of scrimmage. These zones include just outside the dotted-line area where the players on the sidelines stand, the corners of the field, and behind the endzones. As the line of scrimmage moves you move along with it within a sideline zone. However, if the line is near the middle of the field and is approaching the next sideline zone move to that zone as quickly as possible by walking behind the players on your side. This is important because you must always be in front of the line of scrimmage in order to capture the plays. Simply put position yourself and aim your camera at where the players on the field will be running to next.
When the plays approach the endzones it is a good idea to move to either the corners of the endzone or behind it. The corners will give you good “finish line” shots of the play and the back of the endzone can give you dramatic pictures of player celebrations and the run just before a touchdown.
Here are the images the assignment:
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I’m in California for this weekend to get my driver’s license (long story) and what do you know a fire breaks out in my hometown of Brea, California.

Smoke over the House
Smoke from my patio is Brea, California.
The fire is so close that I’m tasting smoke and watching ash fall on my patio. Helicopters are flying by and sirens are blaring.

More Smoke
30 minutes later.
Fires have also broken out in Corona and Yorba Linda. KNBC is reporting that 5 homes in Corona have been at least damaged due to the fire. It also looks like like the fire is being pushed by winds towards the east.
The smoke is getting thicker to the east and south.

Panorama
Check out the gallery:
Southern California Wildefires (11/15/2008)
Check out the more up to date gallery (UPDATED):Southern California Wildefires (11/15/2008)
Track the fires here
Posted by
Mustafa Al-ammar in
Blogging
Nov 12th

Click me!
I have just finished moving everything from my old host, freehostia, to my new and shiny paid host, byet. Goodbye downtimes and goodbye slow load times!
I’ve also added a few neat tricks like this jquery lightbox plugin which makes linking to images much sleeker.